As a born and raised Durango resident now back in retirement, I’ve long admired Jackson Clark’s dedication to preserving Indigenous arts through the Toh-Atin Gallery. His work honors the legacy of Diné weaving while keeping it relevant today, enriching not only artists but our entire community.
Toh-Atin is more than a gallery – it’s a cultural bridge that connects generations and celebrates heritage. My wife and I proudly display many pieces from Toh-Atin in our home, including a weaving by Anthony Tallboy. For over 35 years, my parents collected Santa Clara, Acoma, and Hopi pottery from the gallery, gifting us pieces that now serve as daily reminders of our roots and the Indigenous cultures that define our region.
The recent cancellation of the “Saving Navajo Weaving” talk at Fort Lewis College highlights the importance of centering Indigenous voices. Jackson has always done this – with respect, deep knowledge, and integrity. His leadership is especially vital now, as our society pushes for authentic representation and inclusive storytelling.
I’m also grateful for Toh-Atin’s support of the Durango Collection in the Center of Southwest Studies and collaborations like the Pendleton blanket projects. These efforts not only celebrate Indigenous artistry but ensure its continued legacy.
Durango owes Jackson Clark its thanks – for his leadership and vision, and for helping us all better understand and honor the rich cultural traditions of the Southwest. I look forward to many more opportunities to support, celebrate, and learn from Indigenous artists in the years to come.
Paul N. Black
Durango
